To access and enable the new DCTL, press the ‘Update Lists’ button in ‘Project Settings/Color Management/Lookup Tables’ followed by ‘Save’, just like you do when you add a new LUT while Resolve is still running. By default it is saved into the ACES_DCTL folder (where it needs to be in order to link to ACES_LIB files), otherwise Resolve will display a warning message (either the folder is missing or there’s a permissions issue). The DCTL replicates the active processes of the plugin at the time of its generation. cube specifications, adding the appropriate header and extension, and they’re good to go.Įdit: I compiled a simple OFX plugin using the new files. For existing examples of CTL scripts that contain a 3D LUT (_0_2_2.ctl, _0_7_1.ctl, etc), it would just be a matter of rearranging the arrays to conform to. This actually makes it easier to work with, as navigating a script with an embedded 3D LUT can be inconvenient at best. Would be placed at the top of the script, and the LUT can then be applied as followsĬonst float3 res = APPLY_LUT(r, g, b, LMT_ACESv011) For example, the headerĭEFINE_LUT(LMT_ACESv011, …/LUT/ACES/LMT_ACES_v0.1.1.cube) You can also now link a LUT (1D or 3D) inside a DCTL (provided it is of the. Porting CTLs that contain a 3D array (3D LUT) is proving tricky, but there is a workaround. Place the ACES_DCTL folder in Resolve’s LUT folder (as is the case with other LUTs and DCTLs). DaVinci Resolve 15 compatible DCTL scripts.
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